Reviews
"NABUCCO" by Verdi :"A cinematographic peplum, also thanks to certain evocative still images (beautiful opening and the one that closes the third act)" Fabrizio Verslenti, Corriere del Mezzogiorno
"NABUCCO" by Verdi: "A team of collaborators of the highest level including the choreographer Marta Ferri... the success was fully realized" NiCOLA SBISA', Gazzetta del Mezzogiorno.
"NABUCCO" by Verdi: "and Marta Ferri's choreography have taken on an incisive value in the representation of the opera." ADRIANA DE SERIO, Southern Gazette.
"Aida" by Verdi, "The choreography is quite remarkable and the dancing is worthy of praise. How very graceful the girls' dancing is, characterized by a playful tap of hands on the legs... A special recognition to the ballet as well as the dancers "Nausica Opera International.
"Aida" by Verdi: "... excellent ballet sequences." Classical Net Robert Cummings.
"Aida " by Verdi, "Choreography by Marta Ferri who interestingly handles the subject with a good dose of irony ..." Raphael Malesci
"Aida" by Verdi, "... effective ... choreographed by Marta Ferri with a suggestion of incipient Decadence" ... "The dance fits well with the dramatic action" Giuseppe Pennisi
"I due Foscari" by Verdi: " The visual impact of the ceremonial scene, which opens the third act, is beautiful and you can appreciate the brief choral interlude coordinated by Marta Ferri." Paolo Bullo
"I due Foscari" by Verdi: "The Barcarolle is picturesquely choreographed by Marta Ferri, respecting Verdi's use of contrapunta to express feelings and social classes ..." Demetrius Spinola.
"Amour de trois oranges» by Prokofiev: "Marta Ferri's choreography incorporates their vision without any difficulty.." Concertonet. "Amour de trois oranges": "choreography (Marta Ferri) are undoubtedly skilled" Nicolas Blanmont.
"Amour de trois oranges": "The choreography, which has been little
reported, signed Marta Ferri, are amazing, especially the one that
represents the conflict between supporters of the magician and the fairy." ODB operablog.
" La Bottega Fantastica" by Rossini-Respighi:"For the dance fans we
also remember one of our most acclaimed repertory titles “La Bottega Fantastica” by Rossini-Respighi, thanks to the colourful scenery and the evergreen choreography of Marta Ferri."Philip Fonsatti.
"Don Chisciotte" by Paisiello: "Choreography by Marta Ferri was well-integrated in a wonderfully amusing atmosphere..."
MyaTannenbaum Corriere della sera.
"Don Chisciotte": "The group of mimes performed very well under the direction of the choreographer Marta Ferri ..." Sandro Gindro.
"Arlecchinata" by Salieri, Festival of Two Worlds. Marta was the not only choreographer, but was also involved in the pantomime: "Marta Ferri played a very fine pantomime part .." The Evening Post.
“Il mandarino meraviglioso” by Ubaldo Soddu: "the choreography by Marta Ferri enhances the folkloric and ironical aspects of the singing..." Rodolfo Di Giammarco.
"Elektra" by Strauss "A few simple and relevant steps, choreographed by Marta Ferri, who orchestrated the movements of maids and servants as well as the parade of Clytemnestra, with only the vaguest hint of slaughter...".
"Trovatore" by Verdi: "Fassini Alberto, assisted on this occasion by a dantesque choreography by Marta Ferri " Corriere della sera.
"Traviata" by Verdi: "the humour of Marta Ferri's choreography contributes effectively to the distribution of tension in the second scene .." Luca Rossetto Casel.
"Traviata" by Verdi: "a really well-made and functional choreography" Claudio Desderi.
"La forza del destino" by Verdi: "The choreography by Marta Ferri lent an elegant final touch to the dancers as well as the amusing and willing choir..." Andrea Merli.
"Francesca da Rimini" by Zandonai: "Candid choreography by Marta Ferri ..." Drammaturgia.it
"Julio Caesar" by Handel: "A battle in a ballet form, choreographed by Marta Ferri, was a nice start for the third act ..." Classical Music.
